Review: The Heir (2026) 家业
Summary: In the Ming Dynasty, a scandal involving the imperial ink shatters the long established order of the Hui Zhou ink industry. The leading Li Ink family falls from grace and the 8th branch of the family is expelled from the clan. The youngest daughter of the 8th branch, Li Zhen ft Yang Zi, who is exceptionally talented at identifying ink, decides to return to her family roots and starts making ink. She uses her natural talent and pairs it with strong determination to help bring the Hui Zhou ink and the Li family back to the height of its glory.
Platform: iQiyi, CCTV8
Episodes: 42
Airing Date: May 17, 2026
Warnings – Mild violence, bloody scenes
Rating: 7/10 – A beautifully produced drama that shines in its focus around Chinese ink. However, the slow pacing and diverted focus to family troubles detract from what could’ve been an even better show.

Li Zhen 李祯 yang zi 杨紫
Talented ink maker of the Li family

luo wen qian 骆文谦 han dong jun 韩东君
Member of the Luo Ink family

Wang Jun Ru 汪如君 Wu Mian 吴冕
Respected Matriarch of the Li family

Li Jin Shui 李金水 Tian Xiao Jie 田小洁
Li Zhen's paternal grandfather
Overall Thoughts
The Heir is Yang Zi’s second drama to air this year after Born to Be Alive or 生命树. While last year’s The Flourished Peony did quite well, this drama performed only “decently”. It was overshadowed by next door’s The Lead or 主角 and was solidly in second place across almost all viewership metrics. While The Lead managed to breach 30,000 on Tencent, The Heir only reached a peak of 9300 or so. But, certainly a better performance than Zhan Zhao Adventures featuring fellow 90s actor Yang Yang.
The Heir is a marketed as a 大女主剧 or a Female Dominant drama where Yang Zi’s Li Zhen is THE main character of the show. This story focuses on the famous Ink industry from Hui Zhou and the challenges and trials Li Zhen had to face as a woman in this industry.
There’s plenty to like about this show. It’s a big production with beautiful sets, an extensive cast and an interesting focus on ink, something that I’ve never spent too much time thinking about despite practicing Chinese calligraphy quite a bit. I appreciate when a drama can teach me something about Chinese culture and history and this drama certainly did that.
But this drama’s pace really drags it down. It wanted to focus on both the ink storyline as well as the expansive Li family drama. This was an ambitious task that unfortunately didn’t land and minimized the capabilities and aspirations of Li Zhen.
More thoughts below.
What I Liked
FINALLY – A Female Lead Who Actually Earns Her Skills
In sooooo many Cdramas nowadays, the main characters just happen to be masters at everything and anything under the sun. They’re supposed to be wicked smart, good at martial arts, incredibly scholarly and/or innately good at business. Here, Li Zhen, despite her immense talent, is humbled quite significantly by her grandfather and others in the industry when she starts learning how to make ink. She quickly realizes that talent doesn’t overcome hard work, dedication and attention to detail. After encountering a traumatic experience, she decides to hunker down and focus. It’s 3 years before she’s ready to work with ink on her own and graduates from her training. There are still obstacles along the way, especially as a woman in this industry, but she earns the respect of those in the industry and in the Li Ink family because of how hard she works.
I really appreciated this depiction because it shows that mastering a craft actually DOES takes time and effort. There is a level of groundedness to the story rooted in how difficult ink making is portrayed, which gives genuine respect to the craft itself. Not even the main character gets to sidestep her way to the top.
Refreshingly Rational Conflict and Character Motivations
I will be honest, I was quite pleasantly surprised by how the major conflict at the beginning of the show was handled. The Li Ink family’s imperial ink shipment was burned due to Li Zhen’s father’s negligence, resulting in significant punishment for the Li family and even the death of one of his brothers. This led to the eighth branch of the family, (Li Zhen’s entire family, including herself, her paternal grandfather, her parents, and her brother), to be expelled from the Li clan entirely. A significant and humiliating punishment.
Maybe because I have been watching too many detective and crime dramas lately, but I fully expected someone to cry foul and for this to spiral into a sweeping investigation and then some type of major revenge plotline. But nope. The 8th branch took responsibility for their negligence and accepted their punishment. The fact that Li Zhen’s father and grandfather responded with integrity rather than deflection shows that the characters in this drama behave rationally with the information they have at the time. Li Zhen and her family, though obviously devastated, accepted their fate and kept on living.
This extends to how the drama handles its antagonists. Throughout the early episodes, Li Zhen’s biggest adversaries are members of her own extended family. Yet they are written in such a way that you can fully understand why they are so antagonistic toward her. Were they right in their anger? Not really, but the source of that anger makes complete sense. After all, it was Li Zhen’s father whose negligence caused Tian Jiang Yue’s husband to die and left Li Jing Dong without the use of his legs. They absolutely needed therapy to process that trauma, and their behavior toward Li Zhen was inexcusable, but you always understood where their anger stemmed from. This is rather humanizing script writing and again, helped keep the story grounded.
What impressed me most about the screenwriting is that most character reactions were rooted in the information they had at the time. You may wince at how certain characters treated Li Zhen, and be angered at how they can’t let things go after so many years, if you were in their shoes, would you have behaved dramatically differently in their shoes? Probably not. These antagonists aren’t purely good vs evil, well not all of them, which is what makes for good writing.
An Expansive but Memorable Cast
Li Zhen’s world encompasses her nuclear family, the eighth branch, and the broader Li family clan. Beyond that, there are rival ink families to contend with as well. What is impressive is that the screenwriters managed to make each of these individuals feel unique and memorable rather than interchangeable. The result is a drama with genuine depth and breadth, one that takes the Hui Zhou ink industry seriously as a world worth inhabiting.
A Romance That Earns Its Place
Another thing I appreciated about this drama is how restrained it is with the romance. The main male lead does not even appear to meet Li Zhen until ten or more episodes in. When they do finally meet, he does not immediately swoop in to trigger a romance or rescue her at every turn, even though he remembers her from their childhood while she doesn’t remember him. Instead, he is more bemused and curious, content to let her do her own thing. They do fall into some familiar clichés later on, but their relationship is far more of a slow burn built on a foundation of genuine trust than an immediate romance. Which makes complete sense. Li Zhen’s first true love, after all, is ink.
(I do want to say, Han Dong Jun (main male lead actor’s) mandarin enunciation is fantastic. Quite soothing on the ears. I must practice my mandarin to be as accurate as his. )
An Homage to Chinese Ink
Of course, I must gush about the detail in the production of this show. The set design, the Ming dynasty costumes and of course, Chinese ink or 墨 “mo4”. Even though I’ve written and painted with Chinese ink for calligraphy and painting, I’ve never seen ink making before. I never knew about all of the various processes that went into making a stick of ink. It was a delight to see it depicted on screen and the level of deference and respect the show gave to the craft as told by the characters themselves.
What Suffered
As Slow as Watching Ink Dry
Oh man. Many episodes of this drama draaaggged on and on…. Particularly those surrounding the family drama of the Li family. Challenges with Ink should’ve been the forefront of Li Zhen’s growth storyline and I would happily enjoy more screentime around ink. But this drama decided to add significant weight to her family ties to the Li family instead and the messiness that followed their expulsion from the Li family. This focus greatly undermined the true watching point of this drama which is learning more about ink. The middle section of the drama in particular really dragged because of this family focus.
Adding to this, it felt like the screenwriters wanted to give the expansive cast of stellar actors an opportunity to shine. Which I understand and appreciate, but many of those scenes could’ve been shortened. Many episodes around Grandma? Grandpa? Uncle JingDong? They brought the pace of many episodes to a halt or would divert the focus of the storyline, As for Tian Jiang Yue? If everyone knew she was a problem, why let her run amok for so long? Grandma answers this somewhat but still…She was also a rather low level antagonist that didn’t need as much screentime and brain power for Li Zhen and company.
Despite all the positives I said above about this drama, the pace of this show would be a key reason why viewers fail to continue watching.
WARNING!!!! MAJOR SPOILERS BELOW!!!!!!
About that ending
I feel like the final time skip was totally unnecessary. The drama could’ve ended when we saw the sentencing scene. That was the real climax of the show and would’ve tied the story together neatly enough. Instead, we were treated to one final challenge that then brought out a long scene with the 8th grandpa, a reappearance of a key character and another cliched international relations conflict. If this WAS treated as the major climax, that would’ve been fine, but we already had the major resolution already. This final challenge seemed quite contrived.
And the last half of the final episode? Come on! Decide what you want to do with the main pair. You didn’t need them to separate, get back together, separate and reappear as many times as you did. I actually would’ve been totally fine if they didn’t ultimately end up together. That might’ve been more impactful because again, her first true love and passion is Ink.
Let's Talk About Yang Zi
I try to not talk about the physical features of an actress too much but one of the biggest controversies online around this show has been around Yang Zi and her facial features. For one, she looks completely out of place vs the rest of the cast who are definitely more “natural”. Her mother, her sister-in-law, her brother, her friends, her grandpa, all look more rugged and befitting of the setting they’re in. Yang Zi is the ONLY one who looks “pristine” with her make up and, apparently, the filters on her face. This wouldn’t be a problem in a true Romance idol drama but this clearly is NOT one. So, she looked quite out of place compared to everyone else in the cast that undercut immersion of the show. It’s quite conflicting because there are plenty of scenes when she’s working with ink where Yang Zi is not afraid to get down and dirty with ink and soot smears everywhere, so I commend her for that but I think the problem really is around the fact that she needs to decide which route she wanted to go for this drama.
Additionally, and I write this reluctantly, the plastic surgery is taking its toll on her. It was a problem already in Flourished Peony but here in this drama, it’s possibly even more apparent. She is unable to make large emotional expressions on her face and therefore resorts to yelling or screaming a lot in order to convey strong emotions. People say she also emotes with her nostrils because she can’t move her face which is something I can’t unsee now. In scenes where she’s crying? Man…it’s rough to watch because of the physical limitations on her face. It’s unfortunate because at her core I think she’s a good actress and you have to decide if you’re ok with this as an audience member.
Karen
